Norman Mailer’s Birthday
Excerpt from: Writers Almanac
He wrote by hand – he usually wrote in the morning and then typed it up in the afternoon, or gave it to an assistant to type. He said: “I used to have a little studio in Brooklyn, a couple of blocks from my house – no telephone, not much else. The only thing I ever did there was work. It was perfect. I was like a draft horse with a conditioned reflex. I came in ready to sit at my desk. No television, no way to call out. Didn’t want to be tempted. There’s an old Talmudic belief that you build a fence around an impulse. If that’s not good enough, you build a fence around the fence.
So, no amenities. (But for a refrigerator!) I wrote longhand with a pencil and I gave it to my assistant, Judith McNally. She would type it for me and the next day I would go over it. Since at my age you begin to forget all too much, I would hardly remember what I had written the day before. It read, therefore, as if someone else had done it. The critic in me was delighted. I could now proceed to fix the prose. The sole virtue of losing your short-term memory is that it does free you to be your own editor.”